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A Soldier’s Duty and Moral Injury by Timothy Taylor.

It’s tempting to say that the most important thing about US Marine veteran Christian Ellis is that he had an opera written about him. Few people can make that claim.

Unfortunately, his story is far too complex and troubling to be reduced to any one factoid. Ellis is openly gay, did three tours of Iraq, fought both battles of Fallujah, and came home wracked with grief and guilt, sitting with his back to walls in restaurants scanning for hostiles and avenues of egress.

The arc of his transformation from Marine to civilian to artist does more than operatically highlight the horrors of war. It also challenges much of the basic narrative that we’ve come to accept about the mental suffering of combat veterans, over half a million of whom have been diagnosed with PTSD in the United States alone following their return from Iraq, Afghanistan and other theatres of war since 9/11. At the same time, his story also deeply implicates the society on behalf of whom this suffering is endured, a civilian world that is increasingly insulated from war’s true cost.


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